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One of Studio Ghibli’s most bizarre premises for a film (and that’s from the creators of Porco Rosso). “Ghibli” was the nickname of a second world war Italian aircraft its moustachioed designer Caproni appears in the dreams of engineer Jiro Horikoshi in this poignant animation, which captures the preciousness of life. The second of Studio Ghibli’s aviation-themed films, this is the animation house at peak visual prowess. Haunting artistically and musically, the princess’s feelings of relegation and harassment in a man’s world feel raw and, at moments, untethered in Isao Takahata’s final film. With its origin in one of Japan’s oldest manuscripts, the mythical life of Princess Kaguya (voiced by Chloë Grace Moretz for its English language dub) is illustrated in elegant, understated strokes of watercolour. Understated elegance … The Tale of the Princess Kaguya. Despite its humour, the reality of this film strikes hard. They relearn the ancient Buddhist art of shapeshifting in attempts to sabotage construction work.
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Riled by humans destroying their forest, a group of tanuki (racoon dogs) revolt. Pom Poko (1994)Ī tragicomedy on sweeping urban expansion, blind to the lives of other species and spirits. Featuring the voice of Saoirse Ronan, this is as heart-warming as Mary Norton’s original. Its animators delight in minuscule detail: a cup brimming with a single drop of tea, wallpaper made of leaves. Arrietty (2010)Ī homage to The Borrowers, this is Studio Ghibli’s version of the celebrated story of tiny people who “borrow” things. In memory of her ship captain father, a girl raises flags visible from the harbour, unwittingly attracting the attention of her classmate. From Up on Poppy Hill (2011)Ī film directed by Miyazaki’s son, Gorō, this study of port town Yokohama in the wake of the Korean war twists into a strange adolescent love story. Most of the action unfolds as the credits roll.Ī strange adolescent love story. She takes leave from work and heads to the countryside, accompanied by the memory of her cringe-worthy 10-year-old self and an east-European-inspired soundtrack. Isao Takahata directs this leisurely, meditative account of a woman nearing 30, experiencing pressure to get married.
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#Porco rosso plane wallpaper series#
An adaptation of the manga series Nono-Chan, this was Studio Ghibli’s first entirely digital work. Episodic sketches of quotidian drama, in newspaper comic-strip style, are punctuated by lines of Bashō’s poetry. Though lacking the stunning visuals of Studio Ghibli’s best-known films, this portrait of a suburban family compensates with comedy. After absconding from the RAF, Porco Rosso transforms back into a human, literally and metaphorically. Set against the rising Italian fascist regime, this chirpy animation has an oddly noticeable gangster-film influence. Another non-coincidence: Miyazaki named his company, Studio Ghibli, after the Ca.309 Ghibli (desert wind) twin-engine transport produced by Italy’s Caproni aircraft company.The first of Hayao Miyazaki’s aviation-themed films, it remains unclear why its pilot character is a pig (unfortunately, a sexist one). In 1925, the M.33 was defeated in the Schneider Trophy by a Curtiss R3C-2, which, not so coincidentally, is the airplane (modified by Miyazaki into a fighter) flown by the villain in Porco Rosso. Actually, Miyazaki styled the airplane on the basis of childhood memories of the more successful-and much more attractive-Macchi M.33, a monoplane with a single engine housed in a nacelle mounted on struts above the sleek fuselage. In fact, the real S.21 was an ungainly biplane that never raced in the Schneider Trophy. The eponymous hero of Porco Rosso-a cynical World War I ace-turned-mercenary-pilot known as the Crimson Pig-flies a gorgeous seaplane identified as a Savoia S.21. Miyazaki was captivated by the seaplanes that raced for the Schneider Trophy during the 1920s, and, as he explained in Helen McCarthy’s 1999 scholarly biography, “I wanted to express my love for all these ships.” Set in, around, and over the Adriatic Sea in 1929, Porco Rosso is densely populated with stylized combat versions of several of these between-the-war beauties. Hayao Miyazaki, who is sometimes referred to as the Japanese Walt Disney, is one of the masters of the Japanese form of animation known as anime.